It’s been three-quarters of a year since my first article for Slowist about my ‘Waratah and Others’ piano and photography project. It has been an interesting nine months in many ways. I’ve made intermittent progress with the project, interspersed with various challenges, both personal and structural. Like most things in life, it hasn’t gone exactly to plan, but there have been silver linings, personal discoveries, and interesting side-tracks along the way.
The Great Lockdown of 2020 inspired chorister & pianist Louisa Billeter to undertake an epic piano project, recording a piano piece every day for a year and sharing the results each day on social media. This stunning effort led to a new project… combining Louisa’s interests of piano, photography and native Australian plants.
In this article we will learn of the path that led Louisa to ‘Waratah and others’ and look forward to an ongoing series of articles to accompany her on the journey as it unfolds, at its own perfect pace.
Do you feel compelled to write about… something? Are you an artist who can write about the motivation and process for a piece of your work? Are you moved by the sights and sounds of nature and want to put a picture into words?
You should. We are all artists. Can Slowist.org help share your voice?
As a child, I roamed a landscape I realise now I very much took for granted. Nestled in a village on the Kent/Sussex border, we had little money but an immense amount of physical freedom; fields and forests stretched for miles, and the uniquely invigorating breathlessness found in the wind atop the crumbling cliffs of Birling Gap was only a short drive away.